Arhiva pentru categoria: Anunturi 2019

We invite you to participate in the logo competition for the new international project LIFE Danube Free Sky¹ that connects 7 countries along the Danube river (AT, SK, HU, HR, RS, BG, RO) with the aim to protect our precious birds from the deaths and injuries caused by the electrocution and collisions with power lines.

The project has started in September 2020 and will last until February 2026. During this period, more than one thousand kilometers of railway and power lines will be surveyed and on the most dangerous sections, the flight diverters will be installed for better visibility and prevention of collisions. Also, the most dangerous utility poles will be insulated to prevent electrocution.

This unique project represents cooperation between 15 partners – 8 electric companies, 1 railway company, 3 national parks and 3 NGOs. The main aim is to create a safer “free sky” place for birds along the „European Amazon” – the extraordinary Danube river.

The project logo will be used for a wide variety of purposes: electronic version on websites, social networks, videos, contracts/other formal documents, etc. The logo will be also used on printed materials, such as notice boards, publications, PR set: e.g. T-shirts, pens, decorative magnets, stickers, etc.

How to apply:

All the Competition proposals must respect the Rules and Conditions available here^2,3.

The Competition proposal (*.png/*.jpg, 72 dpi) and any potential questions should be sent via email until January 10^th, 2021 23:59 Central European time (CET) on the email address: info@danubefreesky.eu with the subject of the email: “logo DanubeFreeSky”.

Logo design must:

i/ be easily identifiable and speak about the mission of the Project;

ii/ be memorable, meaningful and attractive in design;

iii/ be an original artwork of the author not used by any third party, whereby one author may submit a maximum of two entries;

iv/ contain a maximum of three colours;

v/ be submitted in at least four variants (also logotypes are accepted), namely:

• colour variant without text
• black and white variant without text
• colour variant with the text „LIFE Danube Free Sky”
• black and white variant with the text „LIFE Danube Free Sky”

The Competition proposal must include:

i/ the name and surname of the author of the Competition proposal (natural person);

ii/ contact details of the author of the Competition proposal, resp. contact person (telephone, e-mail);

iii/ a brief description of the symbolism of the logo;

iv/ labelling that it is a Competition proposal within the Competition;

v/ statement of the author that he/she agrees with the Rules and Condition of the Competition.

The winning price is up to 800.00 €.

The official language of the competition and for communication with competitors will be English.

We are looking forward to your creative ideas! 😊

¹The project LIFE19 NAT/SK/001023 Transnational conservation of birds along Danube river has received funding from the LIFE Programme of the European Union.

² Protection and principles of personal data processing here.

³ Competition Announcer reserves the right to update the Rules and Conditions. The only valid version is the one published on the project website www.danubefreesky.eu.

Saga Film (www.sagafilm.ro) își deschide ușile pentru oricine își dorește să se specializeze în nișa de food styling.

În prezent sunt foarte puțini specialiști în acest domeniu în România iar cererea depășește oferta. Dacă estetica, creativitatea și ingeniozitate sunt punctele tale forte, te putem ajuta să te dezvolți. Oferim ghidare, acces pe platourile de filmare și ulterior te putem ajuta cu integrarea pe piață . Dacă vrei să afli mai multe despre acest domeniu: www.careerexplorer.com/careers/food-stylist/

Căutăm și tinere talente interesate să se specializeze în regie de food styling/filmări speciale (slow motion, braț robotic). Dacă studiezi sau ai terminat imagine/regie și te interesează acest domeniu te putem ajuta cu acces pe platourile de filmare, ghidare, posibilitatea de a lucra cu aparatura specială și ulterior, te putem ajuta cu integrarea pe piață.

Dacă ești interesat trimite un email cu CV-ul tău pe adresa mspirache@sagafilm.ro.

CĂUTĂM ACTRIȚĂ PROFESIONISTĂ – LOOK SLAVIC (pielea deschisă la culoare, părul blond/șaten deschis, ochii albaștri/verzi/căprui deschis)

VÂRSTĂ: 25-40 ani

PROIECT: Spot publicitar

DIFUZARE: România, Europa de Sud-Est, Europa de Est și Fostele State ale Uniunii Sovietice

DREPTURI: 5 ANI (FOTO ȘI VIDEO)

ZI DE FILMARE: 27 IANUARIE

BUGET: 6000 lei Dacă ești interesată și te încadrezi în cerințele de mai sus, apasă pe butonul „Aplică acum” sau trimite un mail pe adresa alex@newmediacasting.ro.

VYKSA AIR TOGETHER WITH THE VOLGA-VYATKA BRANCH OF THE PUSHKIN STATE MUSEUM OF FINE ARTS (NIZHNY NOVGOROD, THE ARSENAL) IS PLEASED TO ANNOUNCE OPEN CALL 2021.

Deadline: 10 January 2021

The Vyksa Artist-in-Residence programme was established in 2017 by the OMK-Uchastie Foundation. It is a year-round platform for art professionals that provides residents with an opportunity to execute projects and conduct research in the Russian town of Vyksa. The prime consideration for selection is the project’s focus on interaction with the local context and community on-site. We invite all artists regardless of their age, creative medium, and location, to participate. The duration of the programme is 4–8 weeks.

• Duration of stay: 4–8 weeks, depending on the length of research and project production, between 15 February – 15 December 2021.
• Grant for production: up to 40,000 RUB.
• Accommodation: a bedroom with an en-suite in the Vyksa AiR building.
• Access to a lounge, a study, a kitchen with all mod cons, and all things necessary for comfortable residence and working on a project.
• Vyksa AiR boasts a private apple orchard, which can be used for picnics and outdoor activities, as well as a 20 sq.m. artist’s studio.
• Materials and equipment: please contact them to check the available equipment and discuss the purchase of necessary materials in advance of your residency. They allocate up to 20,000 RUB for the materials.
• Additional expenses: Vyksa AiR reimburses travel costs of up to 5,000 RUB. This usually covers train tickets and a taxi from the nearest train station (Navashino).

Details and application here

Sunt disponibile urmatoarele posturi in televiziune:

• 1 editor texte/jurnalist
• 2 reporteri/redactori
• 1 asistent productie
• -1 voice over/editor
• 1 grafician

Cerinte:

• cunoasterea limbii romane si a unei limbi straine
• studii superioare
• dictie
• aspect telegenic placut
• CV in format Europass
• cultura generala si sociala solida

Termen limita: joi 7 ianuarie 2021

Contact: septimiu_sarateanu@yahoo.com

Căutăm FEMEI ȘI BĂRBAȚI (28-37 ani) credibili în rol de părinți.Zi de filmare: 13 ianuarie.

POT APLICA DOAR PERSOANELE CARE NU AU MAI APĂRUT PÂNĂ ACUM ÎN RECLAME!

Persoanele interesate pot aplica aici

Căutăm un webdesigner pasionat de tot ce e nou în online și cu trendurile la el. 

Ce implică job-ul:

– design in toate formele lui digitale

– implicare in propunerea de idei și concepte creative

– disponibilitate de a invata constant lucruri noi- abilitatea de a lucra pe branduri diferite in aceiasi zi 🙂

Ce ne dorim de la tine:

– cunoștințe avansate de Photoshop, Illustrator si altele (pe scurt  Adobe CC)

– cunoștințe  de web design (Sketch, Figma, Hype sau Adobe XD)

– cunoștințe de motion graphics (After Effects constituie un avantaj) 

Persoanele interesate pot aplica aici

Teatrul Național “I.L. Caragiale” din București, prin Centrul de Cercetare și Creație Teatrală “Ion Sava”, lansează a VII-a ediție a programului 9G la TNB (Noua Generație) care se adresează tinerilor creatori de teatru, absolvenți ai facultăților de profil, cu vârsta de până în 35 de ani, neangajați în instituții de spectacol.

9G la TNB. Mod de desfășurare:

– Teatrul Național “I.L. Caragiale” din București prin Centrul de Cercetare și Creație Teatrală “Ion Sava” asigură spațiul pentru pregătirea spectacolului, la Sala Mică sau într-una dintre sălile de repetiții ale teatrului, pentru o perioadă de patru săptămâni (dintre care o săptămână pe scena de la Sala Mică). În funcție de programul de repetiții al teatrului și de disponibilitatea spațiilor (săli de repetiție, foaiere etc.) sau de dificultatea proiectului propus, timpul acordat pregătirii spectacolului se poate prelungi.

– TNB pune la dispoziție facilitățile tehnice de la Sala Mică, magazia de costume, depozitul de decoruri, recuzita, atelierele teatrului, fără a face nicio investiție în plus legată de producția spectacolului, dar și suportul logistic și consiliere din partea teatrului.

– Spectacolele care rezultă în urma proiectelor selecționate vor dispune de 3 reprezentații gratuite, cu intrare liberă, fără plata drepturilor de autor sau a celor conexe.

– În urma reprezentațiilor cu public, și cu acordul Consiliului artistic al TNB, spectacolul poate fi preluat în repertoriul Sălii Mici, în Stagiunea 9G la TNB, beneficiind de investiții minime în producție, de plata drepturilor de autor, conform rețetei reprezentației și a încasărilor, și de promovare.

Condiții de participare la preselecția de proiecte:

– Echipa care propune proiectul trebuie să fie formată din artişti independenţi, absolvenţi ai facultăţilor de profil, cu vârsta maximă de 35 de ani.

– Nu există niciun tip de cerință sau de restricție în legătură cu textele înscrise (dramaturgie clasică și contemporană) sau cu genul de estetică propusă, dar constituie un avantaj conceptul de spectacol care mizează în special pe arta actorului.

Proiectele se vor trimite pe email la adresa: ccct9gtnb@gmail.com. Vor cuprinde (conform formularului alăturat): conceptul regizoral al spectacolului (maxim 2 pag.); distribuția, CV-ul membrilor echipei. (Pot fi adăugate linkuri cu înregistrări ale spectacolelor la care au mai lucrat membrii echipei sau pot fi trimise prin transfer spectacole înregistrate). De asemenea, se vor menționa detaliat necesitățile tehnice ale proiectului. Piesa, dramatizarea, scenariul (orice text care stă la baza proiectului) trebuie alăturat într-un document separat.

Înscrierea proiectelor se face începând cu 19 noiembrie 2020, până la data de 31 ianuarie 2021, urmând ca până pe 28 februarie să fie anunțate titlurile și echipele care au rămas pe lista finală. În urma unei discuții cu echipele, se vor decide titlurile selectate spre a începe repetițiile, în prima etapă a programului 9G (conform regulamentului).

Fișa de înscriere 9G 2020

Asociația Potaissa Art e în căutare de: VOLUNTARI CINESTORY

Cinestory® este un proiect inițiat de Asociația Potaissa Art care oferă participanților o formă de instruire bazată pe dezvoltare personală și mijloace nonformale: citire conștientă, trailer, actorie, scriere creativă, montare-editare film, cinematografie, spot publicitar.

Completează formularul de mai jos pentru a te înscrie:

https://forms.gle/hPgadeV9NZhXG1Ku8

sau contactează-ne:

– Tel: 0756415620

– Email: potaissaart@gmail.com

– Facebook: Asociația Potaissa Art

– Instagram: @potaissaart

Project M.A.G. announces the 2nd online Festival “Art for Change” that will set a new goal of gathering tribes around the globe who are interested on expressing their feelings about Ayia Sofia in Instanbul into Art pieces.

Open Call applies to:

Fine Art (painting, Sculpturing, Engraving & Street Artists)

Creative writing (literature – poetry)

Music

Photography

Performing Arts

Video Art

Open Call Thematic:

-The emblematic monument of Ayia Sofia in Instabul : History, Art and Social Extent.

General terms & conditions

Everyone has the right to participate, regardless of nationality and age, as long as their works are described in English.
The results will be judged by the user votes of Project M.A.G. (open voting)
Participants can take part in the following categories: Music, Literature, Visual Arts (Painters – Sculptors – Engravers – Street Artists), Photography, Performing Arts – Video Art.

It is allowed to participate in more categories (Music, Literature, Fine Arts and Photography) as long as the participation fee for each category has been paid separately.

5.Categories:

MUSIC

– Composition: a music without lyrics or

– Song: a piece of music consisting of melody and lyrics.

LITERATURE

– Texts or

– Poems

FINE ARTS

-Sculpture

-Engraving

-Painting

-Street Art

PHOTOGRAPHY

-Analogue

-Digital

Video Art

Performing Arts

Arts & Culture are the vehicles that Civilization needs in dark moments …

The participants, if they have paid the participation fee in the category / categories they wish to compete, they can take part in more subcategories, without any additional financial burden.
In each of the subcategories, the topic may be:
-Ayia Sofia

-Open/ free Theme

PRIZES:

1st place: 700 Euros
2nd & 3rd place: to be announced
*Additional cash prize for the most voted entry: 500 euros

General terms & conditions for participants:

Tutorial on How to Create Artistic Profile on our Platform
HOW TO APPLY:

Create their artistic profile on our platform https://www.musicartmagazine.com till January 31st, 2021.
Complete their profile with CV and details for each artist on the newly established platform in the Edit profile area.
Choose their artistic category (one – two – three – four).
Upload up to 5 of their projects within the participation time.
Inform all interested parties how to register and vote for them from the 1st day of their registration.
If under 18 years of age there must be parental consent.
Email to info@musicartmagazine.com with their name, the category or categories that took part and the receipt of their participation fee*
*Participation Fee: 10 Euros

Payment details:

National Bank GR0501101410000014120247136

Bank Code (BIC) ETHNGRAA

Beneficiary: Andreas Smyrlis Liakatas

Once the registration process is complete there will be extra time lasting 2 weeks for the audience of each artist and Project M.A.G. users, to vote based on their preferences the profile mostly interested in (there will be a list posted for all participants) and to nominate the 3 best candidates by the end of February

For any information or clarification regarding this invitation you can contact us by e-mail: mag@musicartmagazine.com

Deadline for submission of entries is January 31st , 2020

Teatrul „George Ciprian” din Buzău caută o artistă sau un artist de modeling și animație 3D care să facă parte din echipa internațională a proiectului „Tele-Encounters: Beyond the Human”, co-finanțat prin programul Europa Creativă al Uniunii Europene. Proiectul explorează integrarea teleprezenței, a roboților și a inteligenței artificiale în artă și impactul acestor tehnologii asupra relațiilor de familie.
Coordonator de proiect: Teatrul „George Ciprian” Buzău (RO)
Parteneri:
UCAM Universidad Católica San Antonio de Murcia (ES) și Industria Scenica (IT)

Vrem să te avem în echipă dacă:

• Lucrezi bine în programe de modeling și animație 3D (Cinema 4D, Maya, 3ds Max, sau alte programe similare).
• Ești o artistă/un artist emergent/ă (maxim 30 ani) cu cel puțin 1 an de experiență de lucru.
• Cunoști bine limba engleză (vei colabora cu o echipă internațională).
  Lucrezi bine în echipă.
• Te interesează procesele de lucru neconvenționale și interdisciplinare, inclusiv activitățile cu publicul.
• Respecți termenele.
• Locuiești în România.

Etapa I – preselecție:

• CV (însoțit de formularul Acord GDPR artiști 3D completat și semnat)
• Portofoliu (digital) – în cazul proiectelor colective, te rugăm să menționezi elementele realizate de tine
• O scrisoare de intenție în care să ne spui de ce dorești să faci parte din echipa de proiect (max. 3/4 dintr-o pagină A4)

Te rugăm să trimiți materialele pe mail la tele.encounters.teamwork@gmail.com
cu subiectul „(RO) concurs animație 3D Tele-Encounters: BTH”.

Termen limită pentru a aplica: 31 decembrie 2020, ora 23:59
Candidații de pe lista scurtă vor fi anunțați pe mail pe 8 ianuarie 2021.

Etapa a II-a:

14-15 ianuarie 2021: interviu online (candidații de pe lista scurtă)
Rezultatul selecției va fi anunțat pe mail pe 19 ianuarie 2021.

Detalii: https://www.teatrulgeorgeciprian.ro/apel-deschis-pentru-artisti-de-animatie-3d/

The European Investment Bank (EIB) Institute is pleased to announce the 2021 edition of its Artists Development Programme (ADP). The EIB Institute is looking for ONE visual artist (born after 1 January 1986) from an EU Member State to work on the theme “Disruption: The Imprint of Man”.

“Disruption: The Imprint of Man” aims to offer a unique vantage point on the Anthropocene. Building on the past residency theme “Anthropocene – The Imprint of Man” (2014-2017), “Disruption” broadens the focus beyond the environment to include topical social issues in the EU: the decline of solidarity and respect as values, generational clashes, and the meaning of intra and international relations. The call encourages the creation of works of art that interrogate human behaviour and its consequences. “Disruption” is therefore understood not only in its physical sense, but also as a social, cultural and behavioural phenomenon.

The ADP offers emerging European visual artists a 6-8 week residency in Luxembourg, enabling them to develop their practice and create a new (body of) work(s), boosted by the mentorship of a renowned artist. In 2021, the recipient will be mentored by acclaimed Finnish artist Jorma Puranen.

Eligibility criteria

• Born after 1 January 1986 (in the case of an artist duo, both members must be aged 35 or under)
• EU national (in the case of an artist duo, both members must be EU nationals)
• Fluent in English

Budget and duration

The EIB Institute will cover the artist’s travel costs to and from Luxembourg (for the residency), and to and from Jorma Puranen’s studio (before the start of the residency).

The artist will receive a €100 (one hundred euros) flat-rate daily allowance to cover their living costs during the residency and all or part of the production costs, and will be provided with a living/working space.

In addition to the above, the artist will be granted a contribution towards production of €500 (five hundred euros) at the beginning of the residency and a success fee of €1 000 (one thousand euros) at the end of the residency, provided that they have produced a work or body of works.

The residency in Luxembourg will take place between early May and end of June 2021.

Upon completion of the residency, the EIB may consider acquiring an artwork produced on-site by the artist.

Application procedure

All applications must be submitted through the online form available here.

Requirements

– A CV in English (maximum four pages) including education, work experience, solo and group shows, and media coverage

– A letter of motivation (in English) with ideas to be explored during the residency, in line with the proposed theme (maximum 1 000 words)

– A portfolio (maximum eight pages in A4 PDF format) to showcase a representative selection of the applicant’s works

– Names and contact details of two professional referees familiar with the applicant’s art

– A brief reference to how the applicant found out about the programme

Please note that proof of nationality and age will be requested if shortlisted.

Selection procedure

A jury – consisting of Jorma Puranen (the mentor), members of the EIB Arts Committee and external art advisers – will select the candidate based on the artistic quality of their work, their motivation and their potential to make the most of the opportunity offered by the residency, as well as the relevance of their practice to the cultural context of the EIB Institute.

The selected candidate will be informed of the jury’s decision by email in March 2021.

Application deadline: Midnight (GMT+1), 10 January 2021.
Any application failing to comply with the set requirements will be automatically disqualified.

Apply here

DDL: January 31, 2021

Rewards: publication in magazine

HAS Magazine launches a call for contributions for its third issue to be published in May 2021

The goal of HAS Magazine is to discuss pressing topics through the analysis of a wide range of themes in the humanities, the social sciences, and the arts. Conceived as a magazine for the broadest possible range of readers, HAS offers a space for staging the most creative, enlightening, imaginative, and socially relevant interactions of the humanities and the arts.

HAS Magazine is an initiative of the Humanities, Arts and Society project with UNESCO-MOST, the International Council for Philosophy and Human Sciences, Mémoire de l’Avenir and Global Chinese Arts & Culture Society.

We welcome contributions from scholars, researchers, critics, artists, and any interested parties who find the above aims important and would like to be part of the project. HAS Magazine is not an academic journal and texts should be written in a language accessible to a broad, non-expert audience. HAS is not a commercial venture and is available online for free in English, French and Chinese in order to reach the broadest possible audience. Due to the non-profit nature of the publication, contributions are on a voluntary basis.

The published contributions include essays, reviews, critiques, interviews, artistic projects, video and photo reportages, and news. The editorial committee is constituted by members of UNESCO-MOST, the International Council for Philosophy and Human Sciences and Mémoire de l’Avenir.

Politically biased or discriminatory content will not be accepted. Promotional or commercial content should be avoided.

The theme of the third issue is Truth and Belief. We aim to investigate this topic from a multi- and cross-disciplinary perspective—including but not limited to the visual and performing arts, philosophy, history, anthropology, archaeology, literature, sociology, economics, political science, and humanities scholarship.

More information about the theme
In the 21st century, information is produced and shared at a record pace, with unprecedented reach. Web 2.0—aka the Participative Internet—is radically transforming our ways of consuming information. This development is both positive and negative: On the one hand it allows people to organize and crowdsource ideas more efficiently, but on the other it is increasing the amount of false information being spread without fact-checking. Conflict, discrimination, ideological blindness, the denial of global warming and COVID-19, and beyond, are nurtured by dis- and mis-information that is difficult to regulate. Although fake news is not a new phenomenon, the broad information flow of today, enabled by social media, has allowed it to flourish. From these channels, a culture based on influence has emerged, in which personalities can directly communicate with followers who trust them, and affect their behaviour. As we are bombarded with information created by influencers with different interests and intentions, how do we distinguish between facts, opinions, and beliefs?

Critical thinking and understanding have become more important than ever amidst this global information flow. The role and responsibility of education—and actors such as artists, journalists, and scientists—has always been to inform and to question. Their domains—the arts, humanities, and sciences—are the principal drivers of critical thinking, social investigation, and active learning. By questioning dogmas and exploring new ways of living, they have the capacity to upend outdated paradigms and help society in its transformative endeavour. They are important in fighting denialism and confirmation bias, which favour facts that are coherent with one’s already-held beliefs.These disciplines encourage inclusive understanding, which helps us see that our local actions have global impact.

In the third issue of HAS Magazine, we seek to explore the flow of information, knowledge, bias, and the notion of truth.

Investigations may cover fields and questions such as epistemology, the social construction of reality, the Information Age, influence, cognitive bias, cognitive dissonance, anti-intellectualism, scientific ignorance, and denialism.

Artistically, this may include photography, illusionary art, forgeries, fakes, art as information, and artistic investigations of objectivity/subjectivity and the nature of truth and reality.

Questions may include (but are not limited to): How can we distinguish between objective and subjective, or self-serving facts? What is the place of truth in current society? How do truth, reason, and belief relate to each other? What is the role of satire, and what is its relation to truth/falsity? What is the role of art in relation to truth, falsity, and bias? How can art and art education help develop critical thinking? What is the place of scepticism in today’s society, in the positive and negative sense? What are the advantages of scepticism, and what are its limits? How can the various forms and branches of art contribute to the investigation of the above issues?

We invite researchers, creative thinkers, and practising artists to submit contributions examining any aspects of the above questions.

GENERAL REQUIREMENTS
Contributors may submit texts in English or French. The language should be accessible to a broad audience and non-experts of the subject.

Contributions can be up to 3000 words in length and include 3-8 images minimum 300 dpi

Contributions can also be presented in video (MP4) or audio formats (MP3).

Citations and references should use the Chicago-style.

Submissions accompanied by a short biography (100 words) and abstract
(100 words), should be sent to magazine@humanitiesartsandsociety.org.

For questions and more information: contact@humanitiesartsandsociety.org.

The deadline for submissions is 31 January, 2021 at midnight, Central European Time.

The residency consists in the provision, for two months every year, of a house to an artist selected by a Selection Committee.
The aim is to make available a place that is inspirational for work, research and encounters.

General Conditions of the Residency: In 2021, the residency will be of 8 weeks, from 1 February to 28 March.
The selected artist will commit to being present on location for at least 7 weeks.
The artist is invited to pursue his/her personal research, in relation or not with the environment provided by the residency.
The Residency is open to any artist who has completed his / her studies. There is no nationality limitation or requirement.
Applications in duos are accepted, and there is no age limit.
The House The house is a contemporary house of 120 m² with a living room / kitchen, two bedrooms, a rooftop terrace, a bathroom, a utility room and a garage.
It is located in Watermael-Boitsfort, 4 kms from Brussels’ centre.
Production The house being also a home, where people actually live, and not featuring strictly speaking a studio, non-reversible practices cannot be accepted unfortunately and the house is expected to be left in the state it was when starting the residency.

Financial conditions: Financial support will be granted to the artist for his/her production, for an amount of 1500 euros. In addition the reimbursement, total or in part, of travel expenses, can be agreed depending on the artist’s place of origin.

Counterpart: During the time of the residency, the selected artist shall feed an archive box to leave a trace of his/her stay and research. There is no prescribed form for the constitution of this deposits.

Applications 2021: Applications may be prepared in English or in French.
They must reach before 14^th December 2020.
Given the health situation, this year they will take the form of a single file of 10 MB maximum, in PDF format to be sent at the following address: contact@residencehuetrepolt.org

More details here

Open City Documentary Festival is looking for individuals to join our film submissions pre-selection panel for our 2021 edition. We are seeking committed individuals with a proven interest in non-fiction cinema and this opportunity is suitable for those with some experience in film programming and moving image curation.

Submission Viewers will support the Director of Film Programming and will be expected to watch 78 hours (across feature, mid-length and short films) between December 2020 and June 2021. They will also take part in one meeting per month with the Open City Documentary Festival Programming team to feedback on their viewing. Candidates can be based anywhere but should be fluent in English (written and verbal).

Open City Documentary Festival creates an open space to nurture and champion the art of creative documentary and non-fiction filmmakers. Over 7500 people attended the tenth edition of the festival which took place online. The festival took place between 9th–15th September 2020 screening international contemporary non-fiction film, audio and cross media. The 11^th edition of the festival will take place in September 2021.

We encourage applications from people of all backgrounds but particularly welcome applications from candidates from BAME backgrounds.

To apply please complete the application form here attaching your CV as well as a short review of a documentary you’ve seen recently that you liked or did not like (up to 200 words).

Fixed fee: £825

The closing date for this position is 5pm on Wednesday 9th December 2020. APPLY HERE.

Open City Documentary Festival creates an open space to nurture and champion the art of creative documentary and non-fiction filmmakers. We provide a platform for emerging talent as well as established masters working within the documentary form.

Over 7500 people attended the tenth edition of the festival which took place online. The festival took place between 9th–15th September 2020 screening international contemporary non-fiction film, audio and cross media, as well as filmmaker Q&As, industry panels, special live events and industry networking opportunities.

Submissions for Open City Documentary Festival 2021 are now open. We’re looking for creative, innovative, challenging non-fiction filmmaking at short, mid-length and feature-length, as well as short audio documentaries, and cross platform projects.

Prizes are awarded in four categories: Open City Award, Emerging Filmmaker Award, the UK Short Award, and International Short Award.

Submit:

Full-time contract of 18 months, as from 15th January 2021

You can download the full call for applications here.

IETM, International network for contemporary performing arts, is a network of 500 professional organisations engaged in the contemporary performing arts from over 50 countries. Our members include independent artists and other performing arts professionals, festivals, companies, producers, theatres, research and resource centres, universities and institutional bodies. 

Role

For implementing an EU project, we are looking for a full-time Project Coordinator, who will execute and support the 18-month process of the project implementation. The extension of the contract is possible, but it is subject to securing funding upon the end of the project.

The main responsibility of Project Coordinator will be ensuring a day-to-day smooth and effective flow among the multiple tasks and stages of the project. Project Coordinator will support and follow-up on the implementation of key production, administration and communication tasks of the project, in close collaboration with Project Administrator, Communication Manager, Digital Platform Expert, Project Manager, Consortium Board and the research team. She/he will coordinate the communication among the Consortium members, and elaborate and follow-up on implementation schedules.  Project Coordinator will also work to meet reporting requirements, with the support of Project Manager and the rest of the project team. Project Coordinator will be occasionally asked to represent the project publicly.

Project Coordinator will report to the Project Manager.

Profile

We are looking for a hands-on and multi-skilled person, with a positive attitude and a passion for performing arts. The successful candidate will have a strategic approach to project management and a progressive outlook towards finding the best solutions.

Skills and experience:

• Three to six years of experience in the performing arts or wider cultural sector, at an international level. Direct experience in the performing arts touring management is a vital asset.
• Experience in production and administration. Knowledge of communication tools, channels and strategies is a bonus.
• Strong written and spoken skills in English. Other languages are a plus.
• Ability to work independently and as a team player, in a multicultural environment
• Strong organisational  and planning skills, strategic thinking and practical approach to problem-solving
• Ability to meet tight deadlines, shifting between tasks and keep oversight on priorities
• Excellent communication, interpersonal and networking skills
• Experience in managing EU projects is desirable, but not required 

Recruitment process

Please send your CV and cover letter to recruitment@ietm.org. Deadline: 1 December, 2020. Interviews will take place in the first two weeks of December. 

Terms of contract

The successful candidate will start on the 15th of January 2021. The starting date is, unfortunately, non-negotiable. 

This is a full-time position, based in Brussels. The wage will be defined based on the Belgian salary scale for the performing arts sector (column B).

For more information, please contact  Elena Polivtseva, at elena.polivtseva@ietm.org. 

Adaptive Storytelling

Story lies at the basis of human experience of life. We see stories in a leaf floating, in a cup of tea, a natural disaster or in a moving dot on a screen. We tell stories to communicate with each other, to make sense of the world we live in, to entertain ourselves and our fellows.

Story bears a conflict between fixed form and fluidity. 

Actors adapt to their audiences, especially in comedy performances. Commedia dell’Arte involved a continuous dialogue between improvisation and pre-written texts. Forms of improvisation theatre use low but efficient techniques to build adaptive storytelling.

While a story can be fixed in a script, stories time travel and are re-told. The printing press fixed the novels in books as a culmination of storytelling. Captured movement fixed stories on celluloid and made actors into stars. Later, on in the digital environment, what was fixed became fluid again. The end can become the beginning, the dead can resurrect on screen and entertain us once again with vidding, produsage or  datamoshing becoming a widespread practice in online video, content audiences interacting with ready made content in shaping new stories. 

With the advent of stronger and stronger computing power, a new ideal is emerging: interactive storytelling.

Story is strongly linked to the technology and the medium through which it is told. Besides delivering targeted commercials, nowadays AI can simulate speech and draft scripts. Games use AI in emulating non-human players for bringing action and realism to digital worlds. Will AI overcome the need for a good story for structure? Will we be living the dream of a digital storytelling machine?

CINETic Review 2(1).2020 focusses on technologies and techniques used for creating live or recorded adaptive stories. We look forward to papers publishing original research results or case studies from fields of performance, film, gaming, interactive art, social platforms, and interdisciplinary art-science-technology approaches on interactive storytelling practices.

All submitted papers will be peer-reviewed. Accepted articles will be published in the CINETic Review. 

The previous issue of our open-sourced journal can be read here: CINETic Review 1(1).2019

ABSTRACT SUBMISSIONS

• Title, Author(s) and Affiliations
• Abstract: 400 words
• Deadline: 10 February 2021
• Abstracts will be sent at cinetic@unatc.ro

GENERAL GUIDELINES FOR SUBMITTING ARTICLES

TITLE: maximum 8 words.

ABSTRACT: 150-200 words.

KEYWORDS: 5.

ARTICLE LENGTH: minimum 2500 words, maximum 5000 words.

LANGUAGE: US English.

REFERENCING STYLE: HARVARD (https://www.mendeley.com/guides/harvard-citation-guide).

STRUCTURE:

• Introduction (minimum: State of the subject, Objective, Hypothesis)
• Methods | Methodology
• Results | Findings | Originality
• Discussion | Relevance
• References

ILLUSTRATIONS: maximum 3 (photographs, drawings, diagrams, charts), captioned in Harvard style, included in the text and sent separately as .jpg files.

BIOGRAPHY: maximum 250 words, plus a 3x4cm portrait picture (to be sent separately as .jpg file).

Authors are invited to present selected papers at the online conference on Games  Education and Digital Tools between 6-9 November 2020 organized by the CINETic center of the National University of Theatre and Film Bucharest.

All contributions and correspondence should be sent to: cinetic@unatc.ro

Magnum Foundation’s Photography and Social Justice Program builds capacity through critical explorations of photography and social change.

Each year, the program supports a diverse, international group of Photography and Social Justice Fellows who are passionate about challenging injustice, pursuing social equality, and advancing human rights through photography. The program provides space for interdisciplinary experimentation, mentored project development, and cross-cultural, critical discourse for developing new approaches to socially engaged documentary practice. With intensive mentorship, artist- and expert-led workshops, peer-to-peer learning, and production funds, this program prepares fellows to make effective creative projects and become leaders who inspire social movements, pose difficult questions, and stimulate debate and awareness about pressing social issues. 

Magnum Foundation covers the cost of participation, including all educational and programmatic activities. Fellows also receive a modest stipend to support the production of their projects. The program is produced in partnership with the City University of New York Graduate School of Journalism.

The Photography and Social Justice Program takes place during May through October 2021 and  includes a core seminar course, workshops, mentored project development, and mentored production. Due to COVID-19, the 2021 program will be held remotely and meetings will occur with consideration of participants’ timezones.

Magnum Foundation Photography and Social Justice Fellows are early- to mid-career photographers or individuals in aligned disciplines who are motivated to deepen their engagement with photography and social justice.

This program especially aims to support people of color, women, gender non-conforming individuals, LGBTQ individuals, individuals who are part of racial, ethnic, or religious minority groups, and others whose authorship is unevenly represented within the field of documentary photography.

Applications are due December 1, 2020 at 11:59pm ET.

Photography and Social Justice Fellows are selected through an open, international call for applications. Candidates will be notified about their status of their application in early February 2021.

Shortlisted applicants will be interviewed and final decisions will be made by the end of February 2021.

There are no exceptions to the deadline. We encourage you to get your application in before the official due date to avoid any technical issues that might interfere with a timely submission.

More details and application link here

Deadline November 23rd 2020

Companies and choreographers who would like to tour with Dancenet Sweden are welcome to apply by filling in the application form below.

Please read our TOUR CONDITIONS before filling in the form here.

Please note that:

• you can apply with a maximum of 2 productions per company/choreographer.
• the information you provide in the application form is binding.
• Dancenet Sweden does not tour with performances that primarily target children.
• the technical specifications and stage dimensions that you provide must be correct, as the programmers make their choices based on the information you submit in the application form. Please include a technical rider as well as a lighting plan.

Candidatul ideal

Experienta in editarea video;
Cunoastere a programelor Adobe Photoshop, Premiere si After Effects sau alte programe avansate de editare video;
Creativ in editare.
Atentie la detalii.

Descrierea jobului

Oferim audio si acces la platforme pentru footage, pentru selectarea cadrelor, dar este nevoie si de research facut pentru selectarea cadrelor de referinta.
Gen video-uri: documentar. Avem nevoie de 10-12 video-uri pe luna (5 -10 minute lungime)
Oferim 100 euro per video. Plata se face dupa fiecare video finalizat.
Este nevoie de limba engleza la nivel avansat.

Detalii și link aplicare aici

Freiburger Film Forum

Festival of Transcultural Cinema

Our festivals’ students’ platform calls for first and final works such as documentaries, feature films and short films covering inter- and sociocultural issues. With our selection we aim to give an insight into the diversity, creativity, and originality of emerging filmmakers & visual anthropologists from all around the world – with no restrictions on theme, duration, or form.

We are looking for films that explore the complexity of our world by telling individual stories within their local contexts. Students of visual anthropology, media arts, filmmaking as well as socially engaged filmmakers without any formal study in these areas are welcome to submit their work. What matters most to us is the film’s attempt to listen and observe closely, the filmmaker’s sensitive engagement with its protagonists and subjects as well as its originality in terms of both content and form.

Collaborative, participative methods as well as experimental approaches to conveying social-cultural issues are most welcome. Just as in recent years, we also aim to create a space for VR projects and interactive documentaries.

Looking forward to submissions from all around the globe!

Submission deadline: November 30, 2020.

Submissions here

Concursul de filme de scurtmetraj cu tematică anticorupție România fără Corupție (rofaracoruptie.ro) face parte din Proiectul #Integritate 2020 inițiat de Asociația Pro Democrația (www.apd.ro), Direcția Generală Anticorupție (www.mai-dga.ro) și Fundația Hanns Seidel România (www.hss.ro).

Proiectul este asociat Festivalului Internațional de Film Transilvania (TIFF), ediția 2020.

Concursul se desfășoară în perioada august – decembrie 2020, iar perioada de înscriere a filmelor de scurt metraj este 1 octombrie – 20 noiembrie 2020, ora 23.59. Formularele de înscriere primite după această dată nu vor fi luate în considerare.
Înscrierea în concurs a filmelor realizate se face completând formularul electronic de pe site-ul rofaracoruptie.ro, la butonul Înscrie filmul tău aici.
Câștigătorii vor fi anunțați și premiați pe 9 decembrie a.c., de Ziua Internațională Anticorupție, în cadrul Galei Integrității – ediția 2020, la care, în funcţie de situaţia epidemiologică din acel moment, vor fi invitaţi realizatorii primelor 10 filme clasate. Cu această ocazie vor fi proiectate primele 10 filmele clasate. Ulterior, datei de 9 decembrie 2020 vor fi postate pe site-ul concursului link-uri pentru toate filmele participante în concurs.

Concursul film de scurt metraj cu tematică anticorupţie România fără corupţie se desfăşoară la două secţiuni: amatori şi profesionişti.
Fiecare participant poate concura cu un singur film, care să abordeze unul sau mai multe dintre următoarele subiecte:

a) urmările corupției asupra viitorului cetăţenilor/tinerilor – filme care ilustrează modul în care corupția afectează modul de viață, viitorul și nivelul de trai;
b) atitudinea ce trebuie adoptată faţă de faptele de corupţie – filme care ilustrează refuzul funcționarului public de a primi mită sau reacția cetățeanului atunci când i se cere mită;
c) modalitățile de sesizare a faptelor de corupție – lucrări care ilustrează modalitățile prin care pot fi sesizate faptele de corupție (ex. apel Call-center anticorupţie 0800.806.806, depunere denunţ, plângere etc.).

Regulamentul integral se regăsește aici.

Persoanele interesate se pot înscrie aici.

We are looking for men with long hair (shoulder length), preferably blonde, to play as extras in an upcoming film. The hair must be natural, undyed, no modern haircuts, no undercuts or similar others. Beards/mustaches are a plus.

The Production – An international period film directed by Eric Poppe, ”The Emigrants” is a Swedish/Norwegian co-production. Based on the novel series with the same name, it tells the story of 19th century woman that sets on a dangerous journey to America, in hopes of a better life for her and her children.

Details:

Andrada Fuscas, Central Casting, 0786512001

E-mail: andradafuscas@yahoo.com

Țară, țară, vrem ostași! Aka un art director/graphic designer freelancer cu ceva experiență în agenție (să zicem minimun 2 ani) care să ne ajute când proiectele vin năvală peste noi. Ne-ar mai plăcea să fie creativ, atent la detalii și la curent cu ce-i nou și în trend în domeniul fantastic al comunicării unde magia se întâmplă doar cu ddl-uri.

Dacă te-am făcut curios, dă-ne un portofoliu pe adrian@distrikt.ro